Open String Licks – Key of C

Using open strings combined with fretted notes is a “guitar move” often associated with Telecasters and country guitar. It’s also a staple of classical guitar. “Leyenda” comes to mind with that statement. This isn’t about playing open strings while in open or first position but while fretting notes in higher positions.

These are meant to be played fingerstyle or using pick and fingers. I imagine you could use a cross picking technique if you just use a flat pick. Tough though! There are 4 phrases worked out here. They can be used over any C major chord (maj7, maj9, 6th, etc.) or G dominant chord (G7,9,11,13) that resolve to C. The suggested left and right hand fingering is also indicated.

Below is link to the notation/tab PDF. Check out the video below for further explanation and to give it a listen, if you like.

One Bite Pizza Review Theme – Solo Guitar

I watch the One Bite Pizza reviews with Dave Portnoy often. I had the theme music stuck in my head one day and had to work out a simple arrangement. The theme we hear is 16 bars out of a 3 minute piece of music recorded by Al Caiola. It’s from his Mazurka Medley. The name of the piece is called “Tra Veglia e Somio” – “Between Deam and Sleep” in English.

I worked this out as a finger style arrangement in the recorded key of G minor. A minor would certainly be easier but I have a thing for original keys. I also use a drop D tuning. That makes some moves a little easier and ya have to love that big fat low D. Below there is a link for the finger style arrangement as well as a straight ahead lead sheet with separate chords and melody.

The Stranger Intro – the band comes in!

I already posted a simple arrangement of the piano arrangement to “The Stranger” by Billy Joel. This is the part where the band enters arranged for solo finger style guitar. I have two arrangements here. One is the intro which holds out the chord while playing the melody, riff, phrase, or whatever you like to call it. The other is that same theme but used as a short interlude between verses. This one keeps a rhythm with your thumb while playing the melody line. I’ve labeled this the “interlude”.

There are two chords used here – Em and C7. The melody over the Em is harmonized in 4th’s. The melody over the C7 uses the notes in the chord shape to create harmony. Click below for PDF’s and/or YouTube video.

The Stranger – piano intro arranged for guitar

I’ve been playing an arrangement of the intro to THE STRANGER by Billy Joel for quite some time now… as in decades. Normally I have some chords sprinkled in there but for this I’m just keeping it on the simpler side. It’s just bass notes and melody. The melody in the notation is pretty exact to the phrasing on the original recording. Do not let that bog you down. If you know how it goes in your head just feed off that. Don’t fuss over and scrutinize every 16th rest and dotted 8th note, etc. (unless you want to, of course). Paraphrasing is just fine – Lord knows I do. There is a link to a video below if you want to hear it and may want some extra guidance. There is also a link to the transcription in standard notation and tab. Hope you have some big fun with this!

Pedal Steel Bends #2

This is another lesson on using pedal steel type string bends to make chords. This one uses strings 3, 4, and 5. The progression used here is nice on it’s own but really gets prettied up when you alter the existing notes with the string bending. Though the voicings work great together they can also be used on their own, of course. There are no open strings needed here so you can move any of these voicings all over the fret board. Click the link below for the PDF with the chord windows and diagrams. Check out the video for the lesson.

LAYLA – Piano Outro

This is the piano outro from the original Derek and the Dominoes version of “Layla” arranged for solo guitar. There is a downloadable PDF file and video tutorial. This can be played with a pick or finger style. It just so happens that the melody can be manipulated out of the “mostly” open chords quite easily. The notation/tab has time marks and rehearsal marks to help identify the different sections. This is how I notated it but if you can hear the melody in your head it’s fairly easy to work out your own thing.

There are three 36 bar sections with the first two sections repeating chordwise. You can see how that lays out by clicking this link – https://johnnylagreca.com/wp-content/uploads/2021/07/LAYLA_chord_update.pdf

A lot of the melody is pretty much the same, however there are 3 different melodies over the repeating C C/E and F chord section. So you can follow the notation exactly or just use it as a rough guide to play it your own way. Some notes are in parenthesis. These are the notes that would be included if you are strumming it out as opposed to playing it finger style. Click below for the notation/tab.

Pedal Steel Bends

This is a style of string bending mostly related to traditional country style guitar but it certainly does not have to be limited to that. These can be used to create harmony and chords when soloing or accompanying others. To make chords with this technique you bend notes to a desired pitch precisely while holding the others dead still.

The video uses a simple chord progression to demonstrate this.

Click below for the PDF chart with diagrams-

Desperado Piano Intro

This is the piano intro to Desperado by the Eagles arranged for guitar. This is a very doable part for players of almost any level. It is a pretty sparse piano part that moves gently and at an easy speed. Click below for the notation/tab PDF. Check out the YouTube video if you want to hear it or get any playing tips. I played with my fingers in the video but it can easily be played with a pick, as well.

Simple Acoustic Blues #5 – Walking Bass

This is another 12 bar/ 1 – 4 – 5 basic blues solo acoustic guitar piece. This time the bass moves through the chord changes while the chording is sparse and basic. The bass outlines the chords using scale and chromatic notes to connect the chord changes. The basic chords and chord fragments are only played on the second half of beat one. There is nothing new or innovative here – just basic concepts and moves that are tried and true.

This might be too simple for some and challenging to others. This is designed for the guitarist with basic skills. Click on the link below for the PDF chart and take a look at the video to hear how it sounds.

Bridge Over Troubled Water Intro

I did a fingerstyle guitar arrangement of the piano intro to “Bridge Over Troubled Water”. The original is in Eb. I used a dropped D tuning (low E tuned a whole step down) and arranged it in D. If you want to do the record key just put a capo on the first fret and play everything up one fret.

This is basically a just a chord melody. Depending on how long you’ve been playing, some of the chord shapes along with melody notes may or may not be challenging to you. Squeezing piano parts out of the guitar is a great way to expand your musical thinking and fretboard vocabulary. As always, take your time and follow notion/tab closely. Click below for downloadable PDF. Scroll down for video.